Article featured in New Canadian Media, June 1, 2019
The story of Chinese immigration to Canada is best known for two things. First, the arrival of Chinese labourers in large numbers in the late 1800s to build the crucial last link of the Canadian Pacific Railway—the most difficult and dangerous section which required crossing the Rocky Mountains....
Read the full article Finding Mr. Wong: A Tale From Canada’s Exclusion Era
Article featured in This Magazine Sept-Oct 2016
"The theme of remembering runs through the 94 recommendations of the Truth and Reconciliation Commission (TRC). It is behind the suggestion that Indigenous curricula be mandatory and in Justice Murray Sinclair’s insistence that non-Indigenous Canadians learn about residential schools and Indigenous history. In the context of reconciliation, how do we do this?"
Read Susan Crean's article "Canadians must acknowledge Indigenous history
," online here....
Article featured in This Magazine, Nov-Dec, 2012.
This is the backstory to Finding Mr. Wong, the book on the life of Mr. Wong and why it has been possible for me to write it. In the first instance, this is because of the help and openness of Chinese Canadians who made the search not just doable but successful beyond any expectation. The changes in Canadian society since Mr. Wong’s death in 1970 has meant that the close, familial association across race we had is no longer so unusual; it’s become a commonplace experience. Canadians have taken...
Article featured in This Magazine, May-June 2011.
"I joined the board of Native Earth Performing Arts, in Toronto’s Distillery District, several years ago, and quickly discovered the best perk of the office is watching a performance evolve through rehearsal. Seeing the actors figuring out their moves together, adjusting dialogue, and dissecting the meaning of the play, and then witnessing opening night when they fire the creation into life…is magic."
Read the article "Susan Crean on Aboriginal theatre company Native Earth Performing Arts"
Article featured in Literary Review of Canada January-February, 2011.
"It does not take long to discover the great truth about archival work, which is, appearances to the contrary, that it is utterly absorbing."
This piece grew out of several visits to the National Archives
of Canada in 2010. I was very troubled to discover archivists at their wits’ end and heading for the door, unable to assist researchers as they have in the past. New management has flat-lined the budgets for acquiring of private (non-governmental) papers, cut back on service, and embraced...
Article featured inGeist 77, Summer 2010.
"Milton was a wordsmith of flair and stamina. A great poet, but also a great prose stylist, a sharp political analyst and a speaker of Homeric proportions. It took just one experience—of the poet reading his own work, or the revolutionary reading the Riot Act—to appreciate the erudition behind the argument, and the spell of the imagery."
photo of Milton Acorn
brings back memories of dancing, love poetry and a revolution. Read Susan Crean's article Milton and...
Article featured in The Walrus, April, 2008.
In The Walrus, April, 2008.
“My people will sleep for one hundred years. When they awake, it will be the artists that give them back their spirit.” — Louis Riel.
I spent ten fabulous years on the board of directors of Native Earth Performing Arts
, the country’s oldest professional Indigenous performing arts company. During that time I saw the creative process at work and close-up, and witnessed the evolution of many plays and performances from gleam in the eye to full scale production. This...
Article featured in Broadside, Volume 10 Number 5 1989
It seemed like a good idea at the time, equality did. Equal pay, equal opportunity, equality before the law; all perfectly self explanatory and obviously legitimate demands for women to make, though naturally easier to claim than to effect.
"In The Name of Equality"
can be read online via Broadside's digital archives....
Articled featured in This Magazine 21.
"Hers is not museum art, in format, size or feel; and you don’t have to come equipped with a theory in order to understand it. The images, stories and symbols she uses are the stuff of daily life and everyone’s history: airplanes and sailboats, hearts and flowers, flags and beavers, Laura Secord and Nellie McClung."
"Forbidden Fruit: The Erotic Nationalism of Joyce Wieland,"
appeared in This Magazine
in the August/September issue in 1987....
Article featured in Fuse, Volume 34, Number 3; Summer 2011.
"The first critique of cultural policy that tends to emerge, then, is a class analysis expressed in terms of the twin issues of accessibility and portrayal (or the right of working people to see themselves reflected and respected in the media)."
I wrote this piece to document the extensive work being done by a handful of activist visual artists who were busy making connections and common cause with unions, in many instances working with groups like the Steelworkers on cultural projects. They often were active organizing artists...