“LAUNCHING THE GLOBAL VILLAGE” IN RENEGADE BODIES: CANADIAN DANCE IN THE 1970S

In Renegade Bodies: Canadian Dance in the 1970s. Eds., Allana Lingren and Kaija Pepper. Victoria: University of Victoria Press, 2012.

"Comprising 15 essays by Canadian writers and scholars, Renegade Bodies is a book that embraces lively discussion about artistic and cultural shifts along with the social and political transformations of the 1970s. How were dance and its practitioners affected by the vigorous and varying beliefs, the principles and key societal trends of the times?"

Renegade Bodies: Canadian Dance in the 1970s began as an anthology to celebrate the life and achievements of dancer Lawrence Adams following his early death 2003. I was contacted by Allana Lingren early on in the project and agreed to write about Lawrence’s fascination with new electronic technology. Most specifically, how he deployed video to record the work of Canadian choreographers and dancers, and how he and his partner Miriam Adams later started a weekly arts review Night Lights on community television that led to a proposal for a Pay-TV licence in 1981. The book evolved into a larger look at the decade of the seventies in dance. I got to know Lawrence and Miriam then,  artists from all disciplines were working together to establish a Canadian-made art scene. I appeared on Night Lights several times and worked with Lawrence in the Artists’ Alliance.

For more background, see the article on Lawrence and Miriam Adams in The Canadian Encyclopedia.

Download a PDF version (443Kb) of “Launching the Global Village.”

Buy the book here.

“RIEL’S PROPHECY – THE NEW CONFIDENCE OF ABORIGINAL THEATRE”

In The Walrus, April, 2008.

“My people will sleep for one hundred years. When they awake, it will be the artists that give them back their spirit.” — Louis Riel.

I spent ten fabulous years on the board of directors of Native Earth Performing Arts, the country’s oldest professional Indigenous performing arts company. During that time I saw the creative process at work and close-up, and witnessed the evolution of many plays and performances from gleam in the eye to full scale production. This article chronicles the evolution of Indigenous theatre work in recent years, and profiles some of the extraordinary artists behind it.

Read Riel’s Prophecy: The New Confidence of Aboriginal Theatre  online here.

WITNESS TO WILDERNESS: THE CLAYOQUOT SOUND ANTHOLOGY

In Witness To Wilderness: The Clayoquot Sound anthology, Arsenal Press, 1994.

An all-star collection of essays, poems, and photographs by 120 writers and artists to celebrate the ancient forests of Clayoquot Sound on Vancouver Island. Contributors include: Don Coles, Susan Crean, Lorna Crozier, Des Kennedy, Joy Kogawa, Patrick Lane, Mary Meigs, Susan Musgrave, P. K. Page, Al Purdy, Raeside, Phyllis Webb, and George and Inge Woodcock.

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